Jun 6, 2025
Celia Ingesson is Pushing the Potential of Sustainable Fashion
- By
Blaire Dessent
Celia Ingesson is Pushing the Potential of Sustainable Fashion
Jun 6, 2025
by
Blaire Dessent
Celia Ingesson is Pushing the Potential of Sustainable Fashion
Jun 6, 2025
by
Blaire Dessent
Celia Ingesson is Pushing the Potential of Sustainable Fashion
Jun 6, 2025
- By
Blaire Dessent
Celia Ingesson is Pushing the Potential of Sustainable Fashion
Jun 6, 2025
- By
Blaire Dessent
sustainability
Celia Ingesson is Pushing the Potential of Sustainable Fashion
Jun 6, 2025
- By
Blaire Dessent
Aqua dress, Photo: Johanna Gunnberg
“T

he idea to start Greeningline was about going toxic free from the fabrics to the colour,” explains Celia Ingesson about the fashion brand she officially launched in 2020. After a successful career as a textile expert, designer and fashion executive – which required endless travel, sacrifice and shocking realities into the textile industry, particularly around labour practices and chemical dyes, “it all became too much,” she states. 

Ingesson started her career with H&M in her early 20s, where she designed the brand’s famous ‘golden label’ in the late 1990s and its Grunge collection, helping to launch them into the US market. “There was a fun side and a dark side,” she says, about the experience. Going to the mills in Italy or being in India with textile makers and seeing her designs and ideas come to life was a thrill, but the harsh realities, from male-dominated meeting rooms to the fabric samples soaked in gas because it quickly fixed the colour and print, became toxic physically and emotionally. “I literally saw towns [in India] changed due to the chemicals. I inhaled it and it was on my skin. I thought, how can I keep doing this?” 

As a young girl growing up in Sweden, Ingesson suffered from skin problems due to synthetic fabrics as well as certain foods. With her mom, she began making natural dyes, using food scraps, tea and plants from their garden and then played around with making her own clothes using vintage fabrics and natural dyes. She knew the connection between fabrics and health personally and she often wore her own clothes because of her ongoing skin issues. “I felt like I owed it to myself and other people to try and do this,” she says about Greeningline. 

Indigo Strap Dress, Photo: Johanna Gunnberg
Celia Ingesson in dark khaki dress, Photo: Johanna Gunnberg
A

fter 18 years with H&M, she developed pneumonia and collapsed, forcing her to make some changes. She went into consulting, advising and writing for leading companies including Fashion TV, WGSN and Stylesight. She started to have the idea for a toxic-free fashion line, and around 2016, and while still working full-time, she connected with a Korean textile mill, sharing her ideas for the fabrics and natural dye colours, only to have him copy her designs and bring them to the big Paris trade show, where she could never compete. Ingesson persisted, but, she says: “This pushed me to finally leave the industry.”. After spending time back in Sweden in the early COVID Days, she was considering a move to Lisbon, when a friend pushed her to do a retreat at Cal Reiet. She felt an immediate connection to the Mallorca and could see her vision coming to life here. “In many ways, Mallorca selected me,” she says.

Throughout her decades of travel for work, in India, Bali, China, Hong Kong and Korea, Ingesson was learning about Eastern medicines and philosophies, including Auerveda, acupuncture and the benefits of white tea. It was an outlet and way to cope with the stress, but it also left a foundation from which Ingesson could develop the ethos and process around Greeningline.  “Greeningline offers an alternative to what we put on our bodies,” she explains. The capsule collection of dresses, blouses and skirts is produced in Bali, where she now works with small, often family-run suppliers. She is trying to “detox the supply chain,” by using ancient techniques and traditions that are tied to a contemporary context, such as solar-powered factories and more modern designs. This spring, she encountered a women-led cooperative weaving on handlooms using handspun cotton and naturally dyeing using plants in their garden. She created a new series with this madras pattern, with soft blues, greens and beiges. “The women invited me into their home and showed me what they are doing. It was very humbling, a lovely experience and way of doing business,” Ingesson says.

“I see Greeningline not as much a collection but more about the story and message that I want to convey to the world."
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