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Jul 22, 2025
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
- By
Blaire Dessent
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
Jul 22, 2025
by
Blaire Dessent
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
Jul 22, 2025
by
Blaire Dessent
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
Jul 22, 2025
- By
Blaire Dessent
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
Jul 22, 2025
- By
Blaire Dessent
sustainability
Fabrica Ramis and La Escuela Artesana, A Creative Collaboration
Jul 22, 2025
- By
Blaire Dessent
Jewelry making class at La Escuela Artesana
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abrica Ramis sits in central Inca, an anchor of the city’s past and a reflection of its future. Its tall chimney and vast industrial architecture are a reminder of the city’s heritage, yet new collaborations and ideas are brewing to give it new life. Over 100 years old now, the factory was first devoted to textile production and then, in the early 1940s, shifted towards leather production. ‘What’s interesting,” explains Juan Ramis, the grandson of Antonio Ramis, who took over the factory in 1968, “is that the artisans originally worked with the leftover leather pieces from the shoe factories to create small items such as purses, watch bands and wallets. They were thinking about recycling before it was even a concept.” The 1950s and 1960s were boom years for the leather industry, with tourists coming to the factory as part of partnerships with the tour operators at the time. Antonio Ramis built a thriving leather goods company, but, as we know now, leather production in Inca eventually came to a halt. The factory officially closed in 1992, although some craftsmen continued to work on a very small scale for several years following, and most of the equipment – sewing machines, leather scraps, etc., remained laying about. 

After a couple of decades in which the factory was used for various purposes, including, for a time, as a Mercadona, in 2015, the Fabrica Ramis underwent a renovation led by Mercè Zazurca. Juan Ramis, who was in Barcelona working as a Professor of Business Administration, returned to Mallorca to take over the business and oversee its renovation. They approached the project with a principle of ‘minimum intervention’, keeping the essence and integrity of the structure while updating it for contemporary use. They also commissioned designer Beatriz Delgado, who had worked for years at Camper, to design and produce much of the furniture for the space. Her insightful, handcrafted tables, stools and benches add a contemporary artisanal touch, sometimes curved and rounded forms that compliment the more strict minimal  industrial architecture. Elements of the factory’s past remain – remnants of wall paintings from its commercial days, sewing machines installed at the entryway as a decorative element, metal pieces and tools. While downstairs is a very open, industrial architecture defined by metal structures, with tables and benches scattered about, upstairs, the space is dominated by the beautiful red pine ceiling beams and tile floors that add a touch of warmth to the vast space. The two spaces are linked by a beautiful interior staircase as well as exterior bridges, and Juan notes that the space becomes beautifully animated during events with people naturally flowing throughout the space. A highlight of the renovation is the central garden with native plants and water that adds an important element of nature. For a decade, the Fabrica Ramis has been an ideal site for big corporate events and conferences, but Juan is eager to bring something more. 

Installation view of Aitor Sarrabia & Tomomi Mimura exhibition at Fabrica Ramis
Weaving llata at La Escuela Artesana
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ut the building’s connection to craftsmanship and heritage is the fuel for the most recent initiative at the Fabrica Ramis, a collaboration with La Escuela Artesana, which is led by Araceli Iranzo. This is an exciting and in many ways unexpected connection; a big factory building and a small, artisanal business coming together, yet the union feels perfect. “With La Escuela Artesana, I see an openness to be a part of our community and objectives. A project rooted in the past, in terms of traditional craftsmanship and the handmade, yet one that is about the future,” says Juan Ramis. 

For years, the upstairs area, which is divided into about 10 small classroom-like spaces, was mainly used during events as meeting rooms. In May, La Escuela Artesana took over several of the rooms to welcome students to learn various crafts including natural dyes, jewelry making and traditional Ibizian woven sandals using agave fibres. As part of their 10 year anniversary, La Escuela Artesana wanted to expand its reach from its small studio in Llubi and be able to welcome more people, and the connection with La Fabrica Ramis felt intuitive. “My idea was to always have a school and when I saw this space, I was inspired by the idea of growing and developing more courses and having multiple workshops at the same time,” explains Araceli. In June, they also welcomed the renowned textile artist, Aitor Sarrabia, who did a collaboration with Japanese textile artist Tomomi Mimura, including a special exhibition titled “Japan Meets Mallorca,” a celebration of their textile creations, which welcomed over 100 visitors. They also did specialised workshops including Boro Shashiko and embroidery. In June, they welcomed Roberto Paparkone to host a workshop around the souvenir, an ongoing project the ceramic artist has been developing. “One of our objectives is to open people’s minds up to new things, and exhibitions will help us do that,” she says. 

“With La Escuela Artesana, I see an openness to be a part of our community and objectives. A project rooted in the past, in terms of traditional craftsmanship and the handmade, yet one that is about the future."
Exterior view of Fabrica Ramis
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