Jun 27, 2025
Adriana Meunié: Playground at ABA Art
- Von
Blaire Dessent
Adriana Meunié: Playground at ABA Art
Jun 27, 2025
by
Blaire Dessent
Adriana Meunié: Playground at ABA Art
Jun 27, 2025
by
Blaire Dessent
Adriana Meunié: Playground at ABA Art
Jun 27, 2025
- Von
Blaire Dessent
Adriana Meunié: Playground at ABA Art
Jun 27, 2025
- Von
Blaire Dessent
sustainability
Adriana Meunié: Playground at ABA Art
Jun 27, 2025
- Von
Blaire Dessent
Adriana Meunié, Playgound, Photo by Beatrice Piesliakaité, Courtesy ABA Art
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n June 5th, for Art Palma Summer, ABA Art opened “Playground,” a solo exhibition by Adriana Meunié, the artist’s first with the gallery. For nearly a decade, Meunié has been developing a distinctive body of work using natural materials from the island, including raffia, esparto, carritx and wool. With  these humble, rugged and textural materials, Meunié creates layered and sculptural weavings and wall hangings that embody the salt crusted rocks, dried flowers, foliage and tawny landscapes that define the south of Mallorca, where she lives and works. Originally trained as a fashion designer, Meunié brings a perceptive eye with tailoring, draping and form, giving her unique weavings or ‘paintings’, which her works are in many ways, a sense of depth and movement. References to rolling hills, rocky coastlines or even herds of fluffy sheep out in the pasture can be seen, but it’s not always pastoral and picturesque. There can be a sense of the unknown, mystery and darkness hidden within as well.

Like the title suggests, “Playground” was an opportunity for Meunié to play around and experiment with materials, form and colour for the exhibition. Often working on commissions, with this show, she was able to take a few months to prepare and push further new ideas and directions in her work.  Entering into the exhibition, visitors are met with several pieces which reflect Meunié’s distinctive style. The large weaving “Linking Rocks” (2025), with its undulating waves of raffia on cotton and linen, or the long raffia and cotton “Dress” (2024), that hangs suspended from the ceiling, are emblematic of the artist’s transformation of natural materials into art objects. Moving into the show, the work veers into newer territory, notably with colour. “The Red Road” (2025) is a wash of terracotta-toned felt with tufts and wisps of wool poking about across the surface. Hesitant at first to bring colour into her natural, earthtoned palette, Meunie has managed to extend her artistic vocabulary and make it more vibrant. 

Adriana Meunié, "Sandpath", 2025
Adriana Meunié, "The Red Road," 2025 (detail)
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lack is also a new colour for the artist and it appears in several pieces in the show, most boldly in the large, saturated black weaving “Bright Darkness” that stretches across the back wall of the gallery. Using some of the black yarns that were used in a recent exhibition by Brazilian artist Cildo Mierles, Meunie recuperates the threads into her own work, a strong, sculptural weaving that is reminiscent of some of the late 1960s works by artists such as Claire Zeisler. There is a feeling of continuity, a new voice bringing new ideas into this traditional medium that constantly seems to surprise and evoke something visceral about the world and our experience within it. Nearby, a tall framed felted drawing, “Pinzellades”, mixes black and white wool in an almost calligraphic way. In several pieces Meunié has collaborated with Llanatura to create a smooth, felted surface. She’s also introduced new colours of wool, using wool found in other farms off the island, to weave in new tones and textures as well. 

Meunié’s work can appear macro - as if it's a wild landscape captured from high above, but it can also appear micro - like tiny microbes, spores or pebbles found along a beach. “Playground” (2025), is a collage-like wall hanging with various shapes and materials embedded within the surface: loose cream-coloured threads, slabs of clay, a punctured canvas, small felted pebbles appear like a microscopic palette of forms and textures that inspire the artist.

"Hesitant at first to bring colour into her natural, earthtoned palette, Meunie has managed to extend her artistic vocabulary and make it more vibrant."
Installation view, Adriana Meunié, "Playground" at ABA Art
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