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From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
- By
Blaire Dessent
sustainability 2030
off the island
From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
Dec 9, 2025
by
Blaire Dessent
From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
sustainability 2030
off the island
From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
Dec 9, 2025
- By
Blaire Dessent
From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
off the island
sustainability
From Our Hearts: The Sondra Gilman and Celso González-Falla Collection in Mallorca
Dec 9, 2025
- By
Blaire Dessent
Julia Margaret Cameron, The red and white roses, c. 1865 / Opening photo: Bikini, Moskow, 1959. © William Klein Estate
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here is a treasure trove of modern European and American photography on view in Mallorca, at the Centre Internacional de Fotografia Toni Catany, and anyone with a passing interest in the medium should not miss it. This small yet important photography centre, located on a quiet street in Llucmajor has opened its doors to one of the world's most prestigious private photography collections. "From Our Hearts" presents a hundred carefully selected works from the Sondra Gilman and Celso González-Falla Collection, spanning iconic masters of 20th-century photography to emerging contemporary talents.

In 1974, Sondra Gilman purchased her first three photographs by French photographer Eugène Atget from New York's MoMA, which was deaccessioning the works as it had acquired duplicates from Berenice Abbott's archive. One of those original acquisitions features in this exhibition, marking the beginning of an extraordinary journey that would see the couple recognized among the world's top ten photography collectors by ArtNews in 2011.

"What we look for in an image is very simple: it has to move us," explains Celso González-Falla, articulating the singular criterion that has guided their acquisitions from the start. This passion resulted in a collection exceeding fifteen hundred works, where Henri Cartier-Bresson, Robert Mapplethorpe, Imogen Cunningham, and Bill Brandt exist alongside younger contemporary photographers who emerged in the wake of these icons.

Both Sondra and Celso had been interested in collecting before their marriage in 1986, after which they united two collecting passions into one formidable force. Their influence extended far beyond personal acquisition—Sondra's leadership helped establish the Whitney Museum of American Art's photography department in 1991, while González-Falla served as president of the Aperture Foundation's board from 2005 to 2014. In 2014, they donated 75 vintage prints of classic American photography to the Whitney, and the museum established the Sondra Gilman Curator of Photography position in her honour.

Installation view showing portraits of Sondra Gilman and Celso González-Falla. Photo: Emilio Puga
Eugène Atget. Saint Cloud (Steps), 1922
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mong the exhibition's highlights is Robert Mapplethorpe's 1988 portrait of Sondra Gilman herself—a deeply personal work acquired after the couple's first joint purchase, a Mapplethorpe platinum print of dancer Bill T. Jones. The show also features Ansel Adams' beloved "Moonrise, Hernandez, New Mexico," which González-Falla recalls was "her favourite birthday present." They were also risk-takers and ahead of their time in many of their acquisitions, including buying some of Sally Mann’s first photographs, before she was an established artist with rising controversy from conservative politicians.  

The collection has incredible examples of avant-garde Latin American photography, with works by Manuel Álvarez Bravo, Graciela Iturbide, Sebastião Salgado, and Kati Horna prominently featured. This reflects González-Falla's ongoing acquisition focus since Sondra's death in 2021, as he continues expanding the collection with particular attention to Mexican and Latin American artists and emerging female photographers.

Curator Elizabeth Thompson Goizueta describes the collection as revealing "what Sondra and Celso's eyes have witnessed over the years, images that have transformed them as individuals and as a couple." She notes that González-Falla continues collecting works that move him viscerally, honouring Sondra's most important criterion while keeping their shared passion alive.

The exhibition is an important one for the Toni Catany Centre, which opened in 2023. Like Gilman and González-Falla, Catany wants to share his work and collection with the public, making it accessible to everyone. Upstairs is a selection of work from Catany’s own collection, including many self-portraits of his many travels around the world. Downstairs is a small but impactful exhibition: “The Capture of Time: Photographs by Maragall Mira,” that presents a series of street photographs taken by the former mayor of Barcelona on his mobile phone (many pre-smart phone), after he was diagnosed with Alzheimer’s disease in 2007.

These three engaging exhibitions are an ideal moment to visit the Tony Catany International Centre for Photography, whether for thefirst time as a discovery or to experience some deeply powerful images that feel as contemporary as ever.

"From Our Hearts" runs from October 10, 2025, through April 17, 2026, at the Centre Internacional de Fotografia Toni Catany, Llucmajor, Mallorca.

Laurent Elie Badessi. Man’s back, horse’s back, 1994