
W
ith a nod to Danish and Brazilian modernism and his own distinctive postmodern style, Adriane Escarfullery is designing and building furniture that is comfortable, cool and built to last generations. Born in the Dominican Republic into a family of architects including his father, grandfather and uncle – the latter runs one of the largest architecture firms in the country – from an early age Adriane was drawn to design. He moved to Palma with his family as a teen, where he studied architecture and design before moving to Lyon, France, in 2013, to study French and further his experience. Part of the program included a professional internship, which led him to work with architect and furniture designer Jérôme Sornay. From there, he went to London to continue his architecture studies and was part of major projects building skyscrapers to shopping malls, but he was finding himself always behind a computer and it was starting to drain him. During his free time, he started making things, including early prototypes of pieces that are now part of his collection. He was missing the connection with materials and building things with his hands, and he jokes that “if I had to give up something, it would be a computer.”
Since 2020, Adriane has been back on the island and focussed exclusively on designing and making furniture and accessories. In 2022, through designer Paula Chacategui, he connected with Loop Disseny, a now (sadly) defunct government-funded project that invited designers to create projects using cast off items such as wooden furniture, sheets and curtains donated by hotels and businesses to Deixilles. “It came at a good moment,” explains Adriane, “because I was at the point of wanting to stop making furniture because it was so hard, but this project encouraged me to keep going.” They commissioned him to design one chair, “but,” he laughs, “I designed about 20.” This includes a version of “Fum” (the name comes from Disney’s Fe Fi Fo Fum), now one of his most popular pieces in the collection, and a lounge chair from the “Deep Blue” collection, using leftover beechwood and repurposed canvas. Not all of his ideas were realised, but the project reinvigorated Adriane to keep moving forward and introduced his work to more architects and designers on the island.















