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Adriane Escarfullery Likes a Challenge
- By
Blaire Dessent
sustainability 2030
off the island
Adriane Escarfullery Likes a Challenge
Oct 30, 2026
by
Blaire Dessent
Adriane Escarfullery Likes a Challenge
sustainability 2030
off the island
Oct 30, 2026
by
Blaire Dessent
sustainability 2030
off the island
Adriane Escarfullery Likes a Challenge
Oct 30, 2026
- By
Blaire Dessent
Adriane Escarfullery Likes a Challenge
Oct 30, 2026
- By
Blaire Dessent
sustainability 2030
off the island
off the island
sustainability
Adriane Escarfullery Likes a Challenge
Oct 30, 2026
- By
Blaire Dessent
Fum Chair installed at a house designed by munarq
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ith a nod to Danish and Brazilian modernism and his own distinctive postmodern style, Adriane Escarfullery is designing and building furniture that is comfortable, cool and built to last generations. Born in the Dominican Republic into a family of architects including his father, grandfather and uncle – the latter runs one of the largest architecture firms in the country – from an early age Adriane was drawn to design. He moved to Palma with his family as a teen, where he studied architecture and design before moving to Lyon, France, in 2013, to study French and further his experience. Part of the program included a professional internship, which led him to work with architect and furniture designer Jérôme Sornay. From there, he went to London to continue his architecture studies and was part of major projects building skyscrapers to shopping malls, but he was finding himself always behind a computer and it was starting to drain him. During his free time, he started making things, including early prototypes of pieces that are now part of his collection. He was missing the connection with materials and building things with his hands, and he jokes that “if I had to give up something, it would be a computer.”

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Since 2020, Adriane has been back on the island and focussed exclusively on designing and making furniture and accessories. In 2022, through designer Paula Chacategui, he connected with Loop Disseny, a now (sadly) defunct government-funded project that invited designers to create projects using cast off items such as wooden furniture, sheets and curtains donated by hotels and businesses to Deixilles. “It came at a good moment,” explains Adriane, “because I was at the point of wanting to stop making furniture because it was so hard, but this project encouraged me to keep going.” They commissioned him to design one chair, “but,” he laughs, “I designed about 20.” This includes a version of “Fum” (the name comes from Disney’s Fe Fi Fo Fum), now one of his most popular pieces in the collection, and a lounge chair from the “Deep Blue” collection, using leftover beechwood and repurposed canvas. Not all of his ideas were realised, but the project reinvigorated Adriane to keep moving forward and introduced his work to more architects and designers on the island.

Moulin Rouge Lamp made from MORE leather scraps. Photo courtesy Adriane Escarfullery
Fum Stool. Photo courtesy Adriane Escarfullery
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hairs are the centrepiece of Escarfullery’s work. Solid, striking and inviting, they are the kind of chair you want to have in your living room and always have a reason to be seated. “I was always drawn to wood and to leather,” says the designer. “I was building my first product and something was lacking. I tried fabric and it was not right and then I tried with leather and it worked great.” When Adriane gets into a material, he pursues it nonstop to find the best way to make it work with his designs and endure for generations, whether that means finding the right texture or adding a second layer of leather to reinforce its durability. “We want a piece to have a strong identity as it ages, becoming better with time.”

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He named his More chair as an homage to Danish designer Børge Mogensen and Brazilian designer Sergio Rodrigues, two designers whose work resonates deeply with Escarfullery, but Adriane is clearly setting his own path. Through proportion, scale, shape and use of materials, he brings a sense of playfulness and creativity to his designs. The elegant “Elef” chair with woven seat, takes its name from an elephant for its softly rounded backrest that was inspired by the animals ears, and the sturdy legs which recall its limbs. In 2025, he exhibited his “Mallorquina” chair at La Bibi Gallery during Nit de l’art, a piece made using the wooden shutters that are emblematic of the island, and found on nearly every home. His studio has since filled up with donated shutters and has him thinking of other design possibilities.

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Escarfullery is not afraid to experiment with materials, and recycling and repurposing has become an essential part of his process. “Recycling and reusing is important to us, and adapting things for new use. Every Tuesday before trash day, we go look at what people put out and see if we can make anything from it,” he says. “I like the challenge of asking myself, ‘What can I make with something someone has thrown out?’”  The studio recently did a competition asking people via Instagram to design something around their lamps. The participants came to the studio and assembled the lamp together with Adriane. He also offered them the chance to design a piece of their own using their leftover leather, which they could take home. ”I love meeting people and connecting with other designers, and I love the possibility of creating something more immediate, without restrictions.” Escarfullery says. “We are doing fun things.”

”I love meeting people and connecting with other designers, and I love the possibility of creating something more immediate, without restrictions.”
MORE armchair in a Luis Fernandez designed house. Photo; Neus Pastor
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